Digitale pourprée. Digitalis purpurea L. |
||||||||||||||||||||
|
||||||||||||||||||||
|
|
||||||||||||||||||||
$900 / ≈ €778This item is available for immediate sale! Questions before Buying ?
We are happy to answer your questions.
900.00
|
My Collection + - Save and collect this or any of your favorite items in one place.
If you want to save the items permanently, please sign in or create account first.  
Add/Remove |
|||||||||||||||||||
Description
The foxglove, engraving by P.F. Le Grand after designs by the Dutch born Gerard van Spaendonck (1746-1822).
Taken from the rare work "Fleurs dessinées d'après nature. . . receuil utile aux amateurs, aux jeunes artistes, aux elèves des écoles centrales et aux dessinateurs des manufactures", containing 25 stipple engraved flower plates.
According to Nissen : "Copies are occasionally found either hand-colored or printed in color and retouched with watercolor. . . the watercolor serves in fact to cloak the delicacy of the stipple-work. In their black-and-white state, these prints may well claim to be the finest flower-engravings ever made" (Great Flower Books).
In 1764 van Spaendonck was apprenticed to the decorative painter Guillaume-Jacques Herreyns, in Antwerp. In 1769, Gerard left for Paris and, having been appointed miniature painter to the newly crowned Louis XVI in 1774, he became a candidate for membership of the Académie Royale the following year, making his Salon début in 1777.
In 1780, he succeeded Madeleine Basseporte (1701–80) as professor of flower painting at the Jardin des Plantes. In 1781 he was elected a member of the Académie and began contributing to the Vélins du Roi, a series of botanical studies painted on vellum.
Gerard eventually contributed over 50 such studies (e.g. Hibiscus Flower , 1785, Paris, Mus. N. Hist. Nat.) and in doing so changed from the traditional medium of gouache to watercolor.
The task and the medium were assumed by his famous pupil, Pierre-Joseph Redouté. Van Spaendonck exhibited two of these flower studies on vellum together with five oils at the Salon of 1783 and was highly praised by the critics. At this period he was also active designing for the Sèvres porcelain factory.
Reference: Blunt, The Art of Botanical Illustration (L.: 1950). pp.175-176. Great Flower Books pp.21 & 77. Nissen BBI 1879. Stafleu & Cowan TL2 12.523.
Taken from the rare work "Fleurs dessinées d'après nature. . . receuil utile aux amateurs, aux jeunes artistes, aux elèves des écoles centrales et aux dessinateurs des manufactures", containing 25 stipple engraved flower plates.
According to Nissen : "Copies are occasionally found either hand-colored or printed in color and retouched with watercolor. . . the watercolor serves in fact to cloak the delicacy of the stipple-work. In their black-and-white state, these prints may well claim to be the finest flower-engravings ever made" (Great Flower Books).
In 1764 van Spaendonck was apprenticed to the decorative painter Guillaume-Jacques Herreyns, in Antwerp. In 1769, Gerard left for Paris and, having been appointed miniature painter to the newly crowned Louis XVI in 1774, he became a candidate for membership of the Académie Royale the following year, making his Salon début in 1777.
In 1780, he succeeded Madeleine Basseporte (1701–80) as professor of flower painting at the Jardin des Plantes. In 1781 he was elected a member of the Académie and began contributing to the Vélins du Roi, a series of botanical studies painted on vellum.
Gerard eventually contributed over 50 such studies (e.g. Hibiscus Flower , 1785, Paris, Mus. N. Hist. Nat.) and in doing so changed from the traditional medium of gouache to watercolor.
The task and the medium were assumed by his famous pupil, Pierre-Joseph Redouté. Van Spaendonck exhibited two of these flower studies on vellum together with five oils at the Salon of 1783 and was highly praised by the critics. At this period he was also active designing for the Sèvres porcelain factory.
Reference: Blunt, The Art of Botanical Illustration (L.: 1950). pp.175-176. Great Flower Books pp.21 & 77. Nissen BBI 1879. Stafleu & Cowan TL2 12.523.
FAQ - Guarantee - Shipping
Buying in the BuyNow Gallery
This item is available for immediate purchase when a "Add to Cart" or "Inquire Now" button is shown.
Items are sold in the EU margin scheme
Payments are accepted in Euros or US Dollars.
Authenticity Guarantee
We provide professional descriptions, condition report (based on 45 years experience in the map business)
Paulus Swaen warrants the authenticity of our items and a certificate of authenticity is provided for each acquired lot.
Condition and Coloring
We indicate the condition of each item and use our unnique HiBCoR grading system in which four key items determine a map's value: Historical Importance, Beauty, Condition/Coloring and Rarity.
Color Key
We offer many maps in their original black and white condition. We do not systematically color-up maps to make them more sellable to the general public or buyer.
Copper engraved or wood block maps are always hand colored. Maps were initially colored for aesthetic reasons and to improve readability. Nowadays, it is becoming a challenge to find maps in their original colors and are therefor more valuable.
We use the following color keys in our catalog:
Original colors; mean that the colors have been applied around the time the map was issued.
Original o/l colors; means the map has only the borders colored at the time of publication.
Colored; If the colors are applied recently or at the end of the 20th century.
Read more about coloring of maps [+]
Shipping fee
A flat shipping fee of $ 30 is added to each shipment by DHL within Europe and North America. This covers : International Priority shipping, Packing and Insurance (up to the invoice amount).
Shipments to Asia are $ 40 and rest of the world $50
We charge only one shipping fee when you have been successful on multiple items or when you want to combine gallery and auction purchases.
Read more about invoicing and shipping
FAQ
Please have a look for more information about buying in the BuyNow gallery
Many answers are likely to find in the general help section.
My Collection+
With My Collection+ you can collect all your favorite items in one place. It is free, and anyone can create his or her virtual collection.
Unless you are logged in, the item is only saved for this session. You have to be registed and logged-in if you want to save this item permanently to My Collection+.
Read More[+]
Register here, it is free and you do not need a credit card.
Add this item to
My Collection+
or click the following link to see My Collection+.
| Digital Image Download | |
|
Paulus Swaen maintains an archive of most of our high-resolution rare maps, prints, posters and medieval manuscript scans. We make them freely available for download and study. Read more about free image download |
Click the image for a free small image download. |
In accordance with the EU Consumer Rights Directive and habitually reside in the European Union you have the right to cancel the contract for the purchase of a lot, without giving any reason.
The cancellation period will expire 14 calendar days from the day after the date on which you or a third party (other than the carrier and indicated by you) acquires, physical possession of the lot. To exercise the right to cancel you must inform Paulus Swaen Inc, of your decision to cancel this contract by a clear statement (e.g. a letter sent by post, or e-mail (amsterdam@swaen.com).
To meet the cancellation deadline, it is sufficient for you to send your communication concerning your exercise of the right to cancel before the cancellation period has expired.
